For me, it was necessary to know all that stuff and see what the actors gave us, and that’s how framestore was doing. The people at the Framestore in London are working on that sequence in hand. We’re trying to get our ideas out of print. We do not do motion captures for Rocket, for example.
That’s something we’ve never done on Guardians’s film. We didn’t take a motion to capture the animation.
So you should directing them, you would need a camera to do all you wanted. I said to James, This is the acting you used to use. We shot them acting for the first two days. And we just put them in the oversized cage that was appropriate for them. And we got four actors and Sean Gun, and Linda Cardellini plays Lylla, and Asim – was playing Teefs, and then Mikaela – played Floor. We wanted to capture that as soon as possible. The goal we decided was to use a virtual production task, this is to get all the actors on the first two days of the shoot. The first thing that he told me, he said, was that I want to be able to shoot this scene the same way I would shoot that part of the movie. Hes using these very little cameras that he can drive around the actors very closely and everything is very immersive. Several times he changed his way of shooting stuff. I did the first Guardians of the Galaxy film with him. So he’s working well and his shooting has actually evolved. Even for James, it was important to capture this scene, like that. Stephane Ceretti: It was so important for us, to see how the actors played out. How about the flashback sequences, and how about it with that tone? I know that James Gunn shared their story with them. Rocket and his friends are the essential elements of this movie, and the effects are essential to get that emotion from these CGI characters. Tyler Treese: My favorite scene is the flashback. A mission that would otherwise have been successful could quite possibly fend the Guardians as we know them.
When Peter Quill loses his win in Gamora, he must rally his team and defend their own. The movie is about our beloved boy’s appearance a bit different this time. The movie is now available at home, digitally and by Disney+. Ceretti discussed the feelings of making a final film in a series and working with Gunn. I met with 3 director at the visual effects production, Stephane Ceretti, about the last of James Gunns Marvel films.
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